Viva Camera stocks the DZOFilm cinema lens shelf at 777 The Queensway: Catta Ace T2.9 zooms, Arles VV T1.4 full-frame primes, Vespid 2 T1.9 primes, the older Vespid T2.1 set, Pictor T2.8 Super 35 zooms, plus the X-Tract probe. All on real-time booking, all native PL mount. Browse by lens set below or jump to the cinema camera bodies these lenses mount on. Every lens leaves prepped: clean front and rear element, focus marks ringed, iris and focus gears tested, PL mount seated. Same booking calendar as Sony, Canon, RED, ARRI bodies plus lighting and grip.
Catta Ace 35-80mm T2.9
Cinema zoom, PL mount, full-frame coverage. Best for commercial and narrative key.
Arles 35mm T1.4 VV
Full-frame Vista Vision prime, T1.4. Best for VV sensors and low-light cinema.
Vespid 2 50mm T1.9
Hybrid coverage prime, T1.9. Best for commercial, music video, narrative work.
Pictor 20-55mm T2.8
Super 35 parfocal zoom, T2.8. Best for indie features and event coverage.
📊 Specs at a Glance
Zoom Flagship
DZOFilm Catta Ace 35-80mm
$250
/ day
$750 / wk
- Focal range35-80mm
- T-stopT2.9 constant
- CoverageFull frame
- MountPL native
- Front diameter95mm
- Iris14-blade
Prime Flagship
DZOFilm Arles 35mm VV
$125
/ day
$375 / wk
- Focal length35mm
- T-stopT1.4
- CoverageVista Vision (VV)
- MountPL native
- Image circle46.5mm
- Iris16-blade
🎬 Browse DZOFilm by lens family
Catta Ace and Pictor Zooms
Catta Ace 35-80mm and 70-135mm T2.9 full-frame zooms, Pictor 20-55mm and 50-125mm T2.8 Super 35 parfocal zooms, X-Tract 18-28mm T8 probe. From $150/day.
Browse Catta Ace zoom rental
Arles VV Full-Frame Primes
Ten focal lengths from 14mm to 180mm, T1.4 across the set. Vista Vision coverage for Sony Venice, ARRI ALEXA 35 LF, RED V-Raptor VV. $125/day per lens.
Browse Arles VV prime rental
Vespid 2 and Vespid Sets
Vespid 2 T1.9 hybrid-coverage primes (six focal lengths, 18mm to 105mm). Original Vespid T2.1 Super 35 (eight lenses, 12mm to 125mm) plus Macro 90mm. From $65/day per lens.
Browse Vespid prime rental
The shelf covers the full DZOFilm rental lineup. Catta Ace 35-80mm and 70-135mm cover full-frame at constant T2.9 with 14-blade iris. Arles VV runs T1.4 across ten focal lengths (14, 21, 25, 35, 40, 50, 75, 100, 135, 180mm) with a 46.5mm image circle to cover Vista Vision sensors. Vespid 2 runs T1.9 across six focal lengths (18, 24, 35, 50, 85, 105mm) for hybrid Super 35 / full-frame work. The original Vespid set runs T2.1 across eight focal lengths (12, 16, 25, 35, 50, 75, 100, 125mm) plus a Vespid Macro 90mm T2.8 for tabletop and product. Pictor 20-55mm and 50-125mm T2.8 Super 35 parfocal zooms hold focus through the zoom range with near-zero breathing. X-Tract 18-28mm T8 FF probe covers macro and crash work. Every lens ships native PL mount with focus, iris, and zoom gears at 0.8 MOD pitch for follow-focus motors and lens control systems. PL-to-Canon RF and PL-to-Sony E adapters are stocked at $10/day each so a Catta Ace zoom or Arles prime drops onto a Sony FX9, FX6, FX3, A7 series, Canon C500 Mark II, C400, or R5C without rehousing.
🎬 What's included in each rental
Every DZOFilm lens leaves the shelf with the basics ready to roll: front and rear caps, original padded lens case, clean front element, focus and iris gears at 0.8 MOD. Need a PL-to-RF or PL-to-Sony E adapter, a matte box, follow-focus, or a wireless lens control? Add at the booking step and we will preconfigure the build.
📦 What ships with each DZOFilm lens
- Front and rear lens caps, original padded case
- Native PL mount (swappable on Pictor 20-55mm; includes Canon EF cap)
- 0.8 MOD focus, iris, and zoom ring gears for follow-focus and motor compatibility
- 14-blade or 16-blade iris depending on lens family for round bokeh
- Clean front and rear elements, lens hood where applicable
- Color-matched within each set (Arles, Vespid 2, Vespid, Catta Ace) for cutting between focal lengths
🧰 Mount adapters and on-set add-ons
- DZOFilm PL-to-Canon RF adapter ($10/day) for Canon C500 Mark II, C400, R5C, EOS R bodies
- DZOFilm PL-to-Sony E adapter ($10/day) for Sony Venice, FX9, FX6, FX3, A7 series
- Matte boxes and clip-on filter trays sized to 95mm front diameter
- Follow-focus units (manual and wireless) compatible with 0.8 MOD gears
- Lens control systems for handheld, gimbal, and Steadicam builds
- Hard cases for transit, padded lens valets for on-set
Pair DZOFilm glass with our Toronto cinema camera rentals (Sony Venice, FX9, FX6, Canon C500 Mark II, C400, R5C, RED V-Raptor) on the same booking calendar.
Why productions shooting in Toronto choose Viva Camera
Real PL mount, no rehousing required
Every DZOFilm lens on the shelf is native PL. No Canon EF rehousing, no Sony E re-mount workarounds. PL-to-RF and PL-to-Sony E adapters at $10/day if you need a hybrid build.
Real-time online booking
No phone tag, no quote-and-wait. Instant confirmation, transparent pricing across the full DZOFilm shelf. What's bookable in the calendar is what's on the shelf at 777 The Queensway.
Cinema-tested, production-ready
Every lens is bench-checked before pickup. Front and rear elements cleaned, focus gears tested, iris blade count verified, PL mount seated. Trusted by working DPs, cam ops, and ACs on commercial, narrative, music video, and brand crews.
Mount adapters available for Sony E and Canon RF
Native PL on the lens, your choice of body. Stock DZOFilm PL-to-RF and PL-to-Sony E adapters at $10/day. Run a Catta Ace zoom or Arles VV prime on Sony Venice, FX9, FX6, FX3, Canon C500 Mark II, C400, R5C without rehousing.
📋 How rentals work
1
Pick your dates
Real-time availability across the full DZOFilm shelf. Instant confirmation, no quote-and-wait.
2
Create your account
Quick verification, then you're set up for every future booking.
3
Pickup or delivery
Pickup at 777 The Queensway, or GTA delivery available across Toronto, Mississauga, Vaughan, Markham.
💬 Common questions
Can I run DZOFilm PL lenses on a Sony Venice, FX9, or Canon C-series?
Yes. Every DZOFilm lens on the shelf ships native PL mount. We rent DZOFilm PL-to-Sony E and PL-to-Canon RF adapters at $10 per day, so a Catta Ace zoom or Arles prime drops onto a Sony Venice, FX9, FX6, FX3, A7 series, or a Canon C500 Mark II, C400, R5C body without rehousing. Tell us the body at booking and we will pre-rig the adapter.
What is the difference between T-stops and f-stops on cine lenses?
F-stops measure the geometric ratio of aperture to focal length. T-stops (transmission stops) measure actual light passing through the glass after element absorption losses. Cine lenses like the DZOFilm Arles VV (T1.4), Vespid 2 (T1.9), and Catta Ace (T2.9) are calibrated to T-stops so a 35mm and 85mm at the same T-stop expose identically. Stills lenses use f-stops and exposure shifts when you swap focal lengths.
Arles VV vs Vespid 2 vs Vespid: which DZOFilm prime set should I rent?
Arles VV is the premium full-frame Vista Vision set: T1.4 across 14mm to 180mm, designed for VV sensors like Sony Venice 8K, ARRI ALEXA 35 LF, RED V-Raptor 8K VV. Vespid 2 is the upgraded Super 35 / full-frame coverage prime at T1.9, smaller and lighter, faster than the original Vespid. Vespid (older) is the budget T2.1 Super 35 set, eight focal lengths from 12mm to 125mm. Pick Arles for VV cinema work, Vespid 2 for hybrid commercial / narrative, Vespid for music video and indie features.
Are DZOFilm lenses weather-sealed for outdoor and wet shoots?
DZOFilm Catta Ace zooms and Arles VV primes have dust and splash resistance built into the barrel and mount. They are not waterproof submersibles, but they hold up to a Toronto rain shoot, dust on a beach scene at Cherry Beach, or fog on a music video set. We still recommend rain covers for sustained downpour and clean the front element between setups.
What ships with each DZOFilm lens rental?
Every DZOFilm lens leaves the shelf with the front and rear cap, the original lens case, and a clean front element. Catta Ace and Pictor zooms ship with the integrated zoom ring gear (0.8 MOD) and PL mount. Arles VV and Vespid 2 primes ship with focus, iris, and zoom gears at 0.8 MOD for follow-focus and motor compatibility. Add the PL-to-RF or PL-to-Sony E adapter at the booking step if needed.
Why pick DZOFilm instead of Cooke, Zeiss, or Master Primes?
DZOFilm is the working rental-house cine lens brand. Real PL mount, real T-stops, full-frame VV coverage on the Arles set, and pricing that lets indie features, music videos, commercial spec work, and Toronto narrative crews rent a full set. Cooke S7/i and Zeiss Supremes ship beautiful image but cost three to five times the day rate. DZOFilm Arles delivers VV T1.4 character without the line-item surcharge.
Browse our Toronto cine lens rental house, Sony lens rental Toronto, Canon lens rental Toronto, or the full Toronto camera rental house.
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