DZOFilm Rental Toronto

DZOFilm Rental Toronto Arles VV and Vespid Prime Sets

DZOFilm cinema glass at 777 The Queensway.
Real-time inventory, native PL mount, RF and Sony E adapters available.

Real-Time Inventory
Live availability
Vespid and Arles VV
Native PL primes
777 The Queensway
Pickup in Etobicoke, Toronto

Questions before booking? Talk to a human: +1 437 747 6030

Viva Camera stocks the DZOFilm cinema lens shelf at 777 The Queensway: Arles VV T1.4 full-frame primes, Vespid 2 T1.9 primes, the older Vespid T2.1 set and the X-Tract probe. All on real-time booking, all native PL mount. Browse by lens set below or jump to the cinema camera bodies these lenses mount on. Every lens leaves prepped: clean front and rear element, focus marks ringed, iris and focus gears tested, PL mount seated. Same booking calendar as the Sony, RED and ARRI bodies, plus lighting and grip.

DZOFilm X-Tract 18-28mm T8 probe lens rental Toronto
X-Tract 18-28mm T8
Full-frame probe zoom, PL mount. Best for macro and crash work.
DZOFilm Arles 35mm T1.4 VV full-frame prime rental Toronto
Arles 35mm T1.4 VV
Full-frame Vista Vision prime, T1.4. Best for VV sensors and low-light cinema.
DZOFilm Vespid 2 50mm T1.9 cine prime rental Toronto
Vespid 2 50mm T1.9
Hybrid coverage prime, T1.9. Best for commercial, music video, narrative work.
DZOFilm Vespid 50mm T2.1 cine prime rental Toronto
Vespid 50mm T2.1
The original Vespid line: eight primes from 12mm to 125mm, PL mount.

Specs at a Glance

Workhorse Prime
DZOFilm Vespid 2 50mm
  • Focal length50mm
  • T-stopT1.9
  • CoverageFull frame and VV
  • MountPL native
  • Image circle46.5mm
  • Front diameter80mm
Prime Flagship
DZOFilm Arles 35mm VV
  • Focal length35mm
  • T-stopT1.4
  • CoverageVista Vision (VV)
  • MountPL native
  • Image circle46.5mm
  • Iris16-blade

Browse DZOFilm by lens family

X-Tract Probe Zoom
18mm to 28mm at T8, full-frame, native PL. Add it to an Arles or Vespid prime booking.
Rent the X-Tract probe lens
Arles VV Full-Frame Primes
Ten focal lengths from 14mm to 180mm: 14mm T1.9, 135mm T1.8, 180mm T2.4; the other seven T1.4. Vista Vision coverage for Sony Venice, ARRI ALEXA 35 LF, RED V-Raptor VV. $125/day per lens.
Browse Arles VV prime rental
Vespid 2 and Vespid Sets
Vespid 2 T1.9 hybrid-coverage primes (six focal lengths, 18mm to 105mm). Original Vespid T2.1 Super 35 (eight lenses, 12mm to 125mm) plus Macro 90mm. From $65/day per lens.
Browse Vespid prime rental

The shelf covers the full DZOFilm rental lineup. Arles VV runs T1.4 at 21, 25, 35, 40, 50, 75 and 100mm, T1.9 at 14mm, T1.8 at 135mm and T2.4 at 180mm with a 46.5mm image circle to cover Vista Vision sensors. Vespid 2 runs T1.9 across six focal lengths (18, 24, 35, 50, 85, 105mm) for hybrid Super 35 / full-frame work. The original Vespid set runs T2.1 across eight focal lengths (12, 16, 25, 35, 50, 75, 100, 125mm) plus a Vespid Macro 90mm T2.8 for tabletop and product. X-Tract 18-28mm T8 FF probe covers macro and crash work. Every lens ships native PL mount with focus, iris, and zoom gears at 0.8 MOD pitch for follow-focus motors and lens control systems. PL-to-Canon RF and PL-to-Sony E adapters are stocked at $10/day each so an Arles or Vespid 2 prime drops onto a Sony FX9, FX6, FX3, or A7 series body, or an RF-mount camera like the RED Komodo-X, without rehousing.

What's included in each rental

Every DZOFilm lens leaves the shelf with the basics ready to roll: front and rear caps, original padded lens case, clean front element, focus and iris gears at 0.8 MOD. Need a PL-to-RF or PL-to-Sony E adapter, a matte box, follow-focus, or a wireless lens control? Add at the booking step and we will preconfigure the build.

What ships with each DZOFilm lens
  • Front and rear lens caps, original padded case
  • Native PL mount
  • 0.8 MOD focus, iris, and zoom ring gears for follow-focus and motor compatibility
  • 14-blade or 16-blade iris depending on lens family for round bokeh
  • Clean front and rear elements, lens hood where applicable
  • Color-matched within each set (Arles, Vespid 2, Vespid) for cutting between focal lengths
Mount adapters and on-set add-ons
  • DZOFilm PL-to-Canon RF adapter ($10/day) for RF-mount bodies such as the RED V-Raptor (the Komodo-X kit already includes one)
  • DZOFilm PL-to-Sony E adapter ($10/day) for Sony Venice, FX9, FX6, FX3, A7 series
  • Matte boxes and clip-on filter trays sized to 95mm front diameter
  • Follow-focus units (manual and wireless) compatible with 0.8 MOD gears
  • Lens control systems for handheld, gimbal, and Steadicam builds
  • Hard cases for transit, padded lens valets for on-set

Pair DZOFilm glass with our Toronto cinema camera rentals (Sony VENICE 2, FX6 and RED V-Raptor) on the same booking calendar.

Why productions shooting in Toronto choose Viva Camera

Real PL mount, no rehousing required
Every DZOFilm lens on the shelf is native PL. No Canon EF rehousing, no Sony E re-mount workarounds. PL-to-RF and PL-to-Sony E adapters at $10/day if you need a hybrid build.
Real-time online booking
No phone tag, no quote-and-wait. Live availability and the exact price across the full DZOFilm shelf. What's bookable in the calendar is what's on the shelf at 777 The Queensway.
Cinema-tested, production-ready
Every lens is bench-checked before pickup. Front and rear elements cleaned, focus gears tested, iris blade count verified, PL mount seated. Trusted by working DPs, cam ops, and ACs on commercial, narrative, music video, and brand crews.
Mount adapters available for Sony E and Canon RF
Native PL on the lens, your choice of body. Stock DZOFilm PL-to-RF and PL-to-Sony E adapters at $10/day. Run an Arles VV or Vespid 2 prime on a Sony Venice, FX6, or FX3 without rehousing.

How rentals work

Pick your dates
Real-time availability and the exact price across the full DZOFilm shelf. No quote forms, no waiting on email.
Check out online
Pick your dates, see live availability and the exact price, and check out online. No quote forms, no waiting on email.
Pickup
Book online and pick up at 777 The Queensway.

Common questions

Can I run DZOFilm PL lenses on a Sony Venice, FX9, or RF-mount body?
Yes. Every DZOFilm lens on the shelf ships native PL mount. We rent DZOFilm PL-to-Sony E and PL-to-Canon RF adapters at $10 per day, so an Arles or Vespid 2 prime drops onto a Sony Venice, FX9, FX6, FX3, or A7 series body, or an RF-mount camera like the RED Komodo-X, without rehousing. Tell us the body at booking and we will pre-rig the adapter.
What is the difference between T-stops and f-stops on cine lenses?
F-stops measure the geometric ratio of aperture to focal length. T-stops (transmission stops) measure actual light passing through the glass after element absorption losses. Cine lenses like the DZOFilm Arles VV (T1.4) and Vespid 2 (T1.9) are calibrated to T-stops so a 35mm and 85mm at the same T-stop expose identically. Stills lenses use f-stops and exposure shifts when you swap focal lengths.
Arles VV vs Vespid 2 vs Vespid: which DZOFilm prime set should I rent?
Arles VV is the premium full-frame Vista Vision set: 14mm T1.9, 135mm T1.8, 180mm T2.4 and T1.4 at the other seven focal lengths, designed for VV sensors like Sony Venice 8K, ARRI ALEXA 35 LF, RED V-Raptor 8K VV. Vespid 2 is the upgraded Super 35 / full-frame coverage prime at T1.9, smaller and lighter, faster than the original Vespid. Vespid (older) is the budget T2.1 Super 35 set, eight focal lengths from 12mm to 125mm. Pick Arles for VV cinema work, Vespid 2 for hybrid commercial / narrative, Vespid for music video and indie features.
Are DZOFilm lenses weather-sealed for outdoor and wet shoots?
DZOFilm Arles VV primes have dust and splash resistance built into the barrel and mount. They are not waterproof submersibles, but they hold up to a Toronto rain shoot, dust on a beach scene at Cherry Beach, or fog on a music video set. We still recommend rain covers for sustained downpour and clean the front element between setups.
What ships with each DZOFilm lens rental?
Every DZOFilm lens leaves the shelf with the front and rear cap, the original lens case, and a clean front element. Arles VV and Vespid 2 primes ship with focus, iris, and zoom gears at 0.8 MOD for follow-focus and motor compatibility. Add the PL-to-RF or PL-to-Sony E adapter at the booking step if needed.
Why pick DZOFilm instead of Cooke, Zeiss, or Master Primes?
DZOFilm is the working rental-house cine lens brand. Real PL mount, real T-stops, full-frame VV coverage on the Arles set, and pricing that lets indie features, music videos, commercial spec work, and Toronto narrative crews rent a full set. Cooke S7/i and Zeiss Supremes ship beautiful image but cost three to five times the day rate. DZOFilm Arles delivers VV T1.4 character without the line-item surcharge.

Viva Camera, 777 The Queensway, Unit 1, Toronto, ON M8Z 1N4. Open Monday to Friday 9:30am to 5:00pm, weekend pickups by appointment. Call or text +1 437 747 6030.